The Austrian literary magazine has just published two stories by David Plante – translated by Gwendolyn Leick before she passed away. Both stories were first published by Grey Suit Editions.
Grey Suit also published two books by Gwendolyn Leick – Gertrude Mabel May and Franckstrasse 31
Grey Suit have published two titles by the late Gwendolyn Leick:
Autumn 2022
ISBN 978-1-903006-28-3 – Oct/Nov 2022
(Photo by Freya Krummel)
Postage: Individual orders £2 postage inside UK, £5 Europe, £15 USA and rest of the world
Trade Distribution: Ingram Publisher Services UK
(But please note, Ingram orders only apply after publication in Oct/Nov – pre-publication orders and requests for review copies can be taken at the email below)
Order Online: editorial@greysuiteditions.co.uk
or via the box at the foot of our home page.
or via ebay
Click on each title for the link to more information!
Gertrude Mabel May – An ABC of Gertrude Stein’s Love Triangle – by Gwendolyn Leick.
Written by Mabel Haynes’s granddaughter following the fortuitous discovery of her grandmother’s connection to Stein, this is an innovative exploration of an intimate, complex relationship between three women.
While this book doesn’t follow a chronological form, its subject could be said to begin with Gertrude Stein’s first novel, Q.E.D., which was never published during her lifetime. Q.E.D. represents Stein’s attempt to deal with her first love affair with May Bookstaver, who was also the friend and lover of Mabel Haynes. All three were students at the same Boston medical school: “they came of age in the gilded age and were of a class that expected them to display themselves with the right cut of their garments, the right sort of bearing to carry it off.” While the impact and influence of these women on Stein’s writing has been examined, this is the first time the lives of the women themselves have been fully explored.
The Step is the Foot – Dance and its relationship to Poetry by Anthony Howell
This fascinating study into the relationship between dance and poetry – the “step” of dance, and the “foot” of verse – presents a complex, intricate interlacing of disciplines. Dappled with personal anecdotes alongside probing evolutionary questions, historical depth and contemporary insights, it is at once thought-provoking and engaging.
The author’s experience as both a dancer and poet inform his unique investigation. He ascribes his long-held passion for both to a deep-rooted childhood awareness of rhythm: “Rhythm is common to both pursuits. Increasingly I have come to feel that dance is a language and that language is a dance.”
Collected Complete Poems – by Iliassa Sequin
Iliassa Sequin was born in 1940 on a small island in the Cyclades, where her father was a high school teacher. Soon after the family moved to Athens.
With musicality in language uppermost in her concerns she developed an original poetic style and this led to her being befriended by Odysseas Elytis (later a Nobel prize winner). Family opposition to her career as a writer and an actress prompted her to move to Germany. From then on she flitted between Germany, Italy, France and Sweden becoming a friend of Peter Weiss and Susan Sontag, Giuseppe Ungaretti, André du Bouchet and Paul Celan. John Ashbery published her work in the Partisan Review, and a sequence of her quintets was published by Peter Gizzi in O-blek Editions. Later she moved to Britain, and married the artist Ken Sequin. Her work is notable for its musical beauty, its distinct structure and particular typographical decisions. She died in the winter of 2019.
The Cross of Carl – An Allegory – by Walter Owen
First published in 1931, The Cross of Carl is a book describing trench warfare with a visionary intensity. It is a masterpiece of the imagination, and one of the most terrifying books you will ever read. The Times Literary Supplement review, on 16 July 1931, called the book “A war allegory” that, “brings back the ugly side of war psychology; it is a description of one of the ‘corpse factories’ of legend – an unbearably ghastly description… This record of what the author himself describes as “an abnormal pathological process” induced by the psychic perturbations of the War, is put forward in the belief that the experience may foreshadow some sort of development in the collective consciousness of mankind.” It was foresight, in a way, but of something more horrible, which would be the Nazi holocaust of World War II.
You can now view an extract of Gertrude, Mabel May on Love Reading
And an extract from The Step is the Foot, also on Love Reading.
6.30 pm – 9.30 pm Friday 20th September 2019 – Free event
Upper Vestry Hall,
St George’s Bloomsbury
6-7 Little Russell St Bloomsbury WC1A 2HR
Do come and join us to celebrate the launching of our books: Special offer only at this event – buy both books for the price of one!
Entrance round the back of the Church. Refreshments.
This inquiry into the relationship between the “step” in dance and the “foot” in verse invites the reader into a tapestry woven by its crossed paths. A duel career as a dancer and as a poet allows the author to follow his interest in the dance origins of scansion and link it to how the foot connects lyric writing to an “exiled sense” through the felt tread of its rhythm. This is to rediscover the physical feeling of poetry; the fulcrum of a relationship that goes back to the Greek chorus, when every phrase was danced. The author shows how verse and the dance emerged together, as we initially developed bipedalism and speech.
Written is a discursive style which allows the author to wander whenever digression seems appropriate, the book offers the reader an entertaining compendium of anecdotes, notions and quotes concerning the relation between our words and our movements. Walking in itself may have ushered in predication – syntax – putting one word in front of another as one put one foot in front of another. Did song emerge separately from language and stimulate ritual dance among women who linked their steps to sounds? The link of speech with movement is explored in ancient art, in theatre and in military drill and psychoanalysis. From the ballet to performance art, the author traces the evolution of recent creativity – free verse finding a parallel in Mick Jagger dancing freely on his own in the ‘60s while performance artists used the freedom of conceptual art to explore “action phrases” linking task-orientated movement with verbal articulation.
A former dancer with the Royal Ballet, Anthony Howell’s first collection, Inside the Castle, came out in 1969. In 1971 he was invited to participate in the Iowa International Writers Program. In 1997 he was short-listed for a Paul Hamlyn Award. His versions of the poems of Statius were well received and those of Fawzi Karim were a Poetry Book Society Recommendation for 2011. He was the founder of The Theatre of Mistakes and editor of Grey Suit: Video for Art and Literature. His most recent book of poems is From Inside, The High Window Press 2017.
*
Gertrude Stein’s first novel, one that was never published during her lifetime, was called Q.E.D. She wrote it to exorcise the experience of her first passionate love affair with the New Yorker May Bookstaver, the friend and lover of the Bostonian Mabel Haynes, a fellow student of Gertrude Stein’s at Johns Hopkins Medical School between 1898 and 1902. The impact of the complicated affair on Stein’s writing has attracted considerable attention but the subsequent lives of her two intimate friends have not been covered so far in any detailed way.
Gwendolyn Leick is the granddaughter of Mabel Haynes, who moved to Austria-Hungary in 1905. She began writing this book, after the chance discovery of her grandmother’s part in Gertrude Stein’s life some six years ago, in order to do justice to these remarkable women. The method of writing lays out the things, the notions and ideas, the people (friends, relatives, lovers, husbands), in the form of associative ‘entries’, woven around Gertrude Stein’s texts, as much as on private letters, photographs and other found objects. It is an encyclopaedic enterprise, rather than a chronologically ordered biographical account. The character and the lives of the three protagonists and the times they lived in emerge through the kaleidoscope of the accumulated vignettes.
GWENDOLYN LEICK (1951) studied Assyriology in Graz, Austria. She is the author of many historical works on Mesopotamia published by Routledge, and of Mesopotamia — The Invention of the City (Penguin). She taught Anthropology in Wales and History of Architecture in London. Her lastest book, Tombs of Great Leaders, was published by Reaktion Books in 2013.
An ABC of Gertrude Stein’s Love Triangle
Trade sales through Phoenix Publishing House
Written by Mabel Haynes’s granddaughter following the fortuitous discovery of her grandmother’s connection to Stein, this is an innovative, intimate and complex exploration of an intimate, complex relationship between three women.
While this book doesn’t follow a chronological form, its subject could be said to begin with Gertrude Stein’s first novel, Q.E.D., which was never published during her lifetime. Q.E.D. represents Stein’s attempt to deal with her first love affair with May Bookstaver, who was also the friend and lover of Mabel Haynes. All three were students at the same Boston medical school: “they came of age in the gilded age and were of a class that expected them to display themselves with the right cut of their garments, the right sort of bearing to carry it off.” While the impact and influence of these women on Stein’s writing has been examined, this is the first time the lives of the women themselves have been fully explored.
Generously peppered with photographs, and drawing on multiple source types (private letters, Stein’s writing), this paints broad cultural brushstrokes alongside the deeply personal portraiture, and is a ground-breaking feat of biographical writing.
Gertrude Stein’s first novel, one that was never published during her lifetime, was called Q.E.D. She wrote it to exorcise the experience of her first passionate love affair with the New Yorker May Bookstaver, the friend and lover of the Bostonian Mabel Haynes, a fellow student of Gertrude Stein’s at Johns Hopkins Medical School between 1898 and 1902. The impact of the complicated affair on Stein’s writing has attracted considerable attention but the subsequent lives of her two intimate friends have not been covered so far in any detailed way.
Grey Suit Editions UK 